Who’s On First
(Coming Soon)
A seasoned detective is stumped during an interrogation of a confident woman when the case he is trying to solve involves confusing baseball player names.
Project Details:
Who's On First, a classic comedy routine by Abbott and Costello, was an idea years in the making for Red or Green Entertainment. It started as an inspired idea to bring new life to a well-loved routine with a unique twist, adapting it into a 1930s-1940s noir interrogation scene, while still capturing the humorous energy of the original sketch. The long-awaited project finally took shape through the collaborative efforts of Alan Trever and Central New Mexico Community College (CNM), whose support made it possible to take this idea from concept to reality.
The production was no ordinary project; it was also an opportunity for CNM students to get an authentic glimpse into professional filmmaking, courtesy of the Red or Green Entertainment team. By providing department heads sourced from New Mexico’s active film industry, Red or Green created an environment that mirrors a big union set. This gave CNM students not only a taste of what it’s like to work in a professional atmosphere but also the invaluable experience of learning directly from seasoned professionals. Each department head served as a mentor, leading students in real-time as they navigated their responsibilities, problem-solved on set, and took ownership of their roles.
Special care was taken to capture the aesthetic of Hollywood in the 1930s and 1940s, an era known for its refined black-and-white glamour and theatrical atmosphere. Lighting, costume design, and camera angles were meticulously planned to honor this classic look and feel, ensuring that the visuals and mood would transport the audience back to the era of iconic Hollywood cinema. From smoky interiors to dramatic lighting contrasts, every detail was aimed at keeping the style authentic to the period.
Who's On First has not only brought a vintage comedy to life for a modern audience but has also served as an essential training ground for the next generation of filmmakers